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But that’s all we’ll say, and that’s where we’ll leave it.You wouldn’t want us to spoil the prestige now, would you? It's a small film that feels big, a period drama that looks modern, defying comparison to anything but Nolan himself.
But it is perhaps more of an eyebrow-raiser when you consider that The Prestige is situated in an entirely different genre. Nolan’s already been vocal about how he didn’t want The Prestige to feel or look like a period movie, and it’s certainly steadfastly unconventional.Both his character and many of his actions suggest he’s the bad guy of the piece, but Bale, sensitively tempering Borden’s gloomy intensity, ensures our sympathies are maintained throughout — at times he comes dangerously close to snatching them fully away from Jackman.The true nature of The Prestige, the themes it explores in its own, strange, fractured manner, can’t, won’t and shouldn’t be discussed here.The great North American school of magic was founded in the seventeenth century.It stands at the highest peak of Mount Greylock, where it is concealed from non-magic gaze by a variety of powerful enchantments, which sometimes manifest in a wreath of misty cloud.Much of their conflict throughout the film is via proxies: Olivia, the glamorous assistant who becomes a shared love (Scarlett Johansson, struggling so hard with an English accent she forgets to engage her audience, trilling the film’s only bum note); Cutter, the sagacious mentor who believes it’s pointless getting into magic unless you’re prepared to get your hands dirty (a superb Michael Caine); and Tesla, the reclusive electrical pioneer who possibly holds the key to the mystery (David Bowie — the quirky casting only just paying off thanks to his discomfitingly glassy delivery).
It’s Bale, though, who has the toughest job of the cast.The camera is predominantly handheld, rarely static, situated in interior locations with most exterior shots either blurred, out of focus or shrouded in freezing mist.Nolan is unconcerned with spreading out historical vistas or dazzling us with period detail; instead he wants us to focus on the detail of the characters.Her father, William Sayre, was a direct descendant of the famous Irish witch Morrigan, an Animagus whose creature form was a crow.William nicknamed his daughter ‘Morrigan’ for her affinity for all natural things when she was young.what you’re expecting; after all, he was the first director to begin the Batman story at the beginning.) So it’s no surprise that the man who brought us a modern noir about a man with short-term memory loss through a brain-straining reverse-chronological structure should present a Victorian murder-mystery tale of such beautiful convolutions that the dizzying struggle to follow it provides half the entertainment.