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Audiovisual context in the country................................................ Methodological Note The IBERO-AMERICAN TELEVISION FICTION OBSERVATORY, referred to as OBITEL, since its inception in 2005, works as an intercontinental project for the Iberian region (Ibero America), including Latin American and Iberian countries and the United States Hispanic population.

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Index EDITOR’S NOTE ..................................................................................... 15 METHODOLOGICAL NOTE ................................................................... 17 FIRST PART FICTION IN THE IBERO-AMERICAN SPACE IN 2012 Comparative synthesis from Obitel countries in 2012............................... 95 Authors: Gustavo Aprea, Mónica Kirchheimer Team: María Belzunces, María Victoria Bourdieu, V . ................................................................ In Colombia, Ecuador and Mexico, the number of public networks is much closer to that of private ones.

Obitel National Research Teams General Coordinators Maria Immacolata Vassallo de Lopes (Universidade de São Paulo) Guillermo Orozco Gómez (Universidad de Guadalajara) ARGENTINA Gustavo Aprea (Universidad Nacional de General Sarmiento; Instituto Univer sitario Nacional del Arte) and Mónica Kirchheimer (Universidad de Buenos Aires; Instituto Universitario Nacional del Arte), National Coordinators; María Victoria Bourdieu (Uni versidad Nacional de Ge neral Sarmiento), María Belzunces, Victoria De Michele, Noelia Morales, Laura Oszust, Ezequiel Rivero (Universidad de Buenos Aires), Collaborators. COLOMBIA: violence, entertainment and audiovisual spectacle................................................................. 195 Authors: Boris Bustamante, Fernando Aranguren Team: Hernán Javier Riveros, Alejandra Rusinque, Diana Mendoza 1. The sections that make up each of the chapters are the following: 1.

In 2011, this program became part of Globo Cidadania, which also counts on the participation of the programs Globo Ciência, Globo Educação and Globo Ecologia e Ação. ................................................................ The second part, “Fiction in the Obitel Countries”, is composed by twelve chapters (one for each country), with a structure of fixed sections, though some are more specific than others.

• • • • • • Publications produced: Obitel Yearbook 2008: Global Markets, Local Stories; Obitel Yearbook 2009: Television Fiction in Ibero-America: Narratives, Formats and Advertising; Obitel Yearbook 2010: Convergences and Transmediation of the Television Fiction; Obitel Yearbook 2011: Quality in Television Fiction and Audiences’ Transmedia Interactions; Obitel Yearbook 2012: Transnationalization of Television Fiction in Ibero-American Countries; Obitel Yearbook 2013: Social Memory and Television Fiction in Ibero-American Countries. Yearly analysis: premiere of national and Ibero-American fiction . Transmedia reception..................................................................... We also work with the data generated by the research teams, from other sources such as press releases, Internet information, audio and video material, as well as those from direct contacts with agencies and professionals of the audiovisual media in each country.

Such partnership, started in 2008, aims to present and discuss the yearly analyses on production, content, audience and sociocultural importance of the television fiction in Latin America and in the Iberian Peninsula. Highlights of the year.................................................................... The main sources of audience measuring data were provided by audience measurement institutes in the different countries: Ibope (Brazil), Time-Ibope (Chile), Ibope (Colombia, Uruguay), Nielsen Ibope (Mexico), Ibope Time (Ecuador), Ibope Media Perú (Peru), Average Monitor Marktest Audimetria (Portugal), Kantar Media Methodological Note | 19 and Barlovento Comunicaciones (Spain), Nielsen (United States), and AGB Nielsen Media Research (Venezuela).

Team: Rogger Vergara, Tatiana Labarthe, Thalia Dancuart, Nataly Vergara 1. Yearly analysis: premiere of national and Ibero-American fiction . Transmedia reception..................................................................... Even though this phenomenon is just incipient, it bears a high potential for understanding production itself and the expectations with fiction, its distribution and consumption from the companies and television channels.

Highlights of the year.................................................................... The phenomenon of “transmediation” has been into these dimensions since the 2010 Yearbook.

(Universidad Distrital Francisco José de Caldas), Research Associates. CHILE: changes in the industry .................................................... 167 Authors: Valerio Fuenzalida, Pablo Julio Pohlhammer Team: Verónica Silva, Constanza Mujica, Luis Breull, . Audiovisual context in the country................................................ ................................................................ The third part is an “Appendix”, where are collected the top ten TV fictions in the Obitel countries with basic and necessary information about these productions.

COLOMBIA Borys Bustamante Bohórquez and Fernando Aranguren Díaz (Universidad Distrital Francisco José de Caldas), National Coordinators; Hernan Riveros, Alejandra Rusinque, Diana Mendoza. Yearly analysis: premiere of national and Ibero-American fiction . Transmedia reception..................................................................... This Yearbook attempted to make an analysis of the representations, which combines not only the tracking of productions in open channels of different countries, but also the analysis of the space imagined, remembered, from which emerges a particular memory, a media memory constructed by television fiction over decades of daily contact with the people of a nation.

PORTUGAL Isabel Ferin Cunha (Universi dade de Coimbra, Centro de Investigação Media e Jornalismo) and Catarina Duff Burnay (Universidade Católica Portuguesa), National Coor dinators; Fernanda Castilho Santana, Bianca Faciola (Universi dade de Coimbra), Research Associates. Topic of the year: social memory and television fiction................ BRAZIL: telenovela as media event................................................ 129 Authors: Maria Immacolata Vassallo de Lopes, Maria Cristina Palma Mungioli Team: Claudia Freire, Clarice Greco, Ligia Maria Prezia Lemos, Issaaf Karhawi, Helen N. The most significant data on these regional or local networks can be found in the chapter on Spain in this Yearbook.

URUGUAY Rosario Sánchez Vilela (Uni versidad Católica del Uruguay), National Coordinator; Paula Santos Vizcaíno, Lucía Allegro, Eugenia Armúa, Isabel Dighiero (Univer sidad Católica del Uruguay), Research Assistants. TV fiction and transmedia reception: interaction through networks .......................................................... Topic of the year: social memory and television fiction in Ibero-American countries . 76 SECOND PART FICTION IN OBITEL COUNTRIES IN 2012 1. Highlights of the year ................................................................... 1 2 24 | Obitel 2013 United States Azteca America, Estrella TV, Mundo Fox, Telemundo, Uni Más, Univisión, V-me Mexico Televisa, TV Azteca, Cadena Tres 7 Once TV, Conaculta 5 TV Perú 6 RTP1, RTP2 Televisión Nacional (TNU) 4 Frecuencia Latina, América Peru Portugal Uruguay Venezuela Total Source: Obitel Televisión, Panamericana Televisión, ATV, Global TV SIC, TVI Montecarlo TV, Saeta, Teledoce / La Tele Canal I, Globovisión, La Tele, Meridiano, Televen, TV Familia, Vale TV, Venevisión 54 4 ANTV, Tves, C. Tele Sur, VTV, Vive TV 13 21 75 From the universe of 75 national broadcast channels in the 12 Obitel countries, the private-owned networks represented 54 (72%), that is, more than twice the public ones, which totaled 21 (28%).

Ibero-American Television Fiction Observatory Obitel 2013 Social Memory and Television Fiction in Ibero-American Countries Ibero-American Television Fiction Observatory Obitel 2013 Social Memory and Television Fiction in Ibero-American Countries Maria Immacolata Vassallo de Lopes Guillermo Orozco Gómez General Coordinators Morella Alvarado, Gustavo Aprea, Fernando Aranguren, Alexandra Ayala, Borys Bustamante, Giuliana Cassano, James A. SPAIN Charo Lacalle (Universitat Au tònoma de Barcelona), Na tional Coordinator; Mariluz Sánchez, Lucía Tra bajo, Deborah Castro (Uni versitat Autònoma de Barcelona), Research Associates; Anna Alonso, Paola Cabrera, Belén Granda, Francisca Ni colau, Germán Muñoz, Karina Tiznado, Berta Trullàs (Universitat Autònoma de Barcelona), Collaborators. Highlights of the year.................................................................... The report deals with 75 broadcast channels, both private and public, with national penetration, based on the 12 countries that constitute the geo-cultural scope of Obitel.1 Table 1.