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There are many other important Ganesha temples at the following locations: Wai in Maharashtra; Ujjain in Madhya Pradesh; Jodhpur, Nagaur and Raipur (Pali) in Rajasthan; Baidyanath in Bihar; Baroda, Dholaka, and Valsad in Gujarat and Dhundiraj Temple in Varanasi, Uttar Pradesh.Prominent Ganesha temples in southern India include the following: the Rockfort Ucchi Pillayar Temple at Tiruchirapalli in Tamil Nadu; Kottarakara, Pazhavangadi, Kasargod in Kerala; Hampi, and Idagunji in Karnataka; and Bhadrachalam in Telangana.
For example, white is associated with his representations as Heramba-Ganapati and Rina-Mochana-Ganapati (Ganapati Who Releases from Bondage).
Some families have a tradition of immersion on the 2nd, 3rd, 5th, or 7th day.
In 1893, Lokmanya Tilak transformed this annual Ganesha festival from private family celebrations into a grand public event.
Details of the other hands are difficult to make out on the statue shown.
In the standard configuration, Ganesha typically holds an axe or a goad in one upper arm and a pasha (noose) in the other upper arm.
It is his particular territory, the reason for his creation." The concept of buddhi is closely associated with the personality of Ganesha, especially in the Puranic period, when many stories stress his cleverness and love of intelligence.
One of Ganesha's names in the Ganesha Purana and the Ganesha Sahasranama is Buddhipriya.Shiva then replaced Ganesha's original head with that of an elephant.This feature is so important that according to the Mudgala Purana, two different incarnations of Ganesha use names based on it: Lambodara (Pot Belly, or, literally, Hanging Belly) and Mahodara (Great Belly).Of the eight incarnations of Ganesha described in the Mudgala Purana, Ganesha uses a mouse (shrew) in five of them, a lion in his incarnation as Vakratunda, a peacock in his incarnation as Vikata, and Shesha, the divine serpent, in his incarnation as Vighnaraja.uses a peacock, Dhumraketu uses a horse, and Gajanana uses a mouse, in the four incarnations of Ganesha listed in the Ganesha Purana.This story has no Puranic basis, but Anita Raina Thapan and Lawrence Cohen cite Santoshi Ma's cult as evidence of Ganesha's continuing evolution as a popular deity. The festival begins with people bringing in clay idols of Ganesha, symbolising Ganesha's visit.