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Two years before this he had already received the prize at the Conservatorio of Bologna for his cantata Il pianto d'Armonia sulla morte d'Orfeo.

When Austria restored the old regime, Rossini's father was sent to prison in 1799, where he remained until June 1800.

Mi rivedrai, ti rivedrò", which became so popular that the Italians would sing it in crowds at the law courts until called upon by the judge to desist.

By the age of 21, Rossini had established himself as the idol of the Italian opera public.

His last opera, the epic Guillaume Tell (William Tell), along with its iconic overture, helped usher in grand opera in France.

A tendency for inspired, song-like melodies is evident throughout his scores, which earned him the nickname "The Italian Mozart." Use of an exciting buildup of orchestral sound over a repeated phrase—commonly known as a "Rossini crescendo"—also prompted the nickname "Signor Crescendo".

The boy had three years of instruction in the playing of the harpsichord from Giuseppe Prinetti, originally from Novara, who played the scale with two fingers only; Prinetti also owned a business selling beer and had a propensity to fall asleep while standing.

These qualities made him a subject for ridicule in the eyes of the young Rossini.

In 1813, Tancredi and L'italiana in Algeri were even bigger successes, and catapulted the 20-year-old composer to international fame.

The libretto for Tancredi was an arrangement by Gaetano Rossi of Voltaire's tragedy Tancrède.

In 1806, Rossini became a cello student under Cavedagni at the Conservatorio di Bologna.

The following year he was admitted to the counterpoint class of Padre Stanislao Mattei (1750–1825).

The opera semiseria La gazza ladra (The Thieving Magpie) has one of Rossini's most celebrated overtures.