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Pre­sen­ta­tion of this col­lo­qui­um is sup­port­ed by the Doo Wook and Helen Nahm Choy Fund.For fur­ther infor­ma­tion, includ­ing infor­ma­tion on access for the hand­i­capped, tele­phone (808) 956‑7041.

Bunkše, University of Latvia, Riga, Latvia; University of Delaware, Newark, DE.

He has writ­ten broad­ly on nation­al­ism and Marx­ism in com­par­i­son, Pol­ish his­to­ry, transna­tion­al his­to­ry, and glob­al mem­o­ry.

Among oth­ers, he pub­lished five vol­umes of the Pal­grave series of as the series edi­tor.

Anthropology – Vision, Hearing and Touch – Phenomenologies of Perception – Light, Sound and Feeling in Anthropology, Archaeology, Art and Architecture Andrew Irving, Granada Centre for Visual Anthropology, University of Manchester, Manchester, UK Anthropology – Transformations in Bodily and Sensory Perception – Art – Performative and Collaborative Ethnography – Time and Imagination – Illness, Death and Dying Deborah Davis Jackson, Earlham College, Richmond, IN, USA Anthropology and Environmental Studies – Five Senses – Smell – Great Lakes Region – Senses of Place – Canadian Studies, First Nations/Native Americans Geraldine A. Jones, Massachusetts Institute of Technology, Cambridge MA, USA Architecture – Art History – Aesthetics/Criticism – Curating – Senses in Contemporary Art / History – Synaesthesia – Sound Art – Body Knowledges Farah Karim-Cooper, Shakespeare’s Globe, London, United Kingdom Theatre History/Performance/Shakespeare Studies/Early Modern Culture and Gender –Touch and Taste – Shakespeare and the Senses/Performance and the Senses/ Tactility and Theatre Going in Early Modern England – The Hand and Early Modern Drama – The Senses and Emotions Hildegard Elisabeth Keller, Indiana University, Bloomington, Indiana, USA / University of Zurich, Zurich, Switzerland Literature / Cultural History – Medical History – Theatre – Seeing the Invisible – Visions –Hearing and Historic Languages – Cross-Sensory Perception and Narrative Kettler Barbara Kirshenblatt-Gimblett, New York University, United Sates Performance Studies – Vision – Proprioception – Taste – Museums – Jews – Memory –Tourism – Heritage Tarja Laine, University of Amsterdam, The Netherlands, and University of Turku, Finland Film Studies — The Five Senses — Synaesthesia — Senses in Film Aesthetics — Cinema of the Senses — Senses and Emotions Frederick John Lamp, Yale University, New Haven, Connecticut, USA Curating/History of Art/Theater Studies – Multisensory Production – Embodied Knowledge – Senses in Theatre and Museum, African Performance E-mail: Frédéric Laugrand, Université Laval, Québec, Canada Anthropology – History – Visual anthropology – Inuit studies – Philippines-Indian Ocean Images – Sounds – Animal Senses- Art – Rituals – Senses in Hunting – Orality Matthew Leonard, University of Bristol, Bristol, UK Modern Conflict Archaeology — Conflict culture — The five senses — The sensorium — Kinaesthesia — Synaesthesia — Sensory deprivation — First World War subterranean conflict landscapes — The material culture and sensescapes of modern conflict Richard Leppert, Department of Cultural Studies & Comparative Literature, University of Minnesota, Minneapolis, MN, USA Musicology – Art History – Critical Theory – Hearing – Seeing – History of the Five Senses Scott A.

Lukas, Lake Tahoe Community College, South Lake Tahoe, California Anthropology and Interdisciplinary – The Five Senses – Sensory Tourism – Theming and the Senses – Remaking the Senses – Authenticity – Identity – Theme Parks David Mac Dougall, Research School of Humanities, Australian National University, Canberra, Australia Social Aesthetics – Visual Anthropology – Anthropology of Childhood – Sensory Anthropology – Cinema and the Senses Fiona Macpherson, University of Glasgow, Glasgow, United Kingdom Philosophy – Individuating, Comparing and Contrasting the Senses – Sensory Substitution and Deficits – Cross-Modal Perception – Synaesthesia – Representation and Phenomenal Character – Cognitive Penetration Ruth Mateus-Berr, University of Applied Arts, Vienna, Austria Interdisciplinary – Cultural Sciences – Art – The Five (Six) Senses – Sensory Design – Science & Performance Art – Cross-sensory Perception – Sensual Urbanism & Architecture Carla Mazzio, University at Buffalo, SUNY, USA Literature/History of Science – Touch, Vision, Hearing – Sensory Disintegration – Senses and Affect, Mathematics, Rhetoric, Theater, and History of the Book David Melcher, Center for Mind/Brain Sciences, University of Trento, Italy Cognitive Neuroscience ­­–­ Psychology ­­– Interdisciplinary Interactions between Action and Perception (in particular, Visual and Motor Systems) E-mail: Birgit Meyer, VU University Amsterdam, Netherlands Anthropology/Religious Studies/ Interdisciplinary – Vision – Aisthesis – Visual Culture – Religion and Media – Material Religion – Pentecostalism – Senses and Community Kathy Mills, Queensland University of Technology, Kelvin Grove, Qld, Australia Education – sensoriality – literacy research – senses in filmmaking – digital technologies – embodiment and learning – kinesis and learning Mara Mills, New York University, New York, U. Media Studies/Disability Studies/History of Science – Communication Technologies Audiovisuality – Electroacoustics – Signal Processing – Haptic Technology – Sensory Difference Welleda Muller, Université Paris-Sorbonne, Paris, France Interdisciplinary Art History/Musicology — Sound in Sacred Space —Senses in Medieval Art — Cross-sensory Perception — Profane Iconography — Liturgical Furniture — Iconography of the Human Body Emilie K M Murphy, University of York & Royal Historical Society Centenary Fellow 2013-2014 at the Institute for Historical Research, University of London, UK Early Modern Cultural History — Soundscapes— Synaesthetic responses to Music — Noise — Listening / Performance Practices Natasha Myers, York University, Toronto, Canada Anthropology and Science & Technology Studies – Embodied Vision – Kinesthesia – Movement/Affect/Gesture – Plant Sensoria – Senses in Science & Art – Dance Kiersten Neumann, Oriental Institute, University of Chicago, Chicago, USA Near Eastern Art History/Archaeology – All Senses — Senses, Material Culture, the Built Environment – Sensory Experience and Ritualized Practice – Perception, Reception, and Interaction – Aesthetics and Affect Yoshimi Osawa, Kyoto University, Kyoto, Japan Ethnobiology — Anthropology — Taste — Smell — Food — Culture, Perception and the Senses — Business and Senses email: [email protected] O’Sullivan, Goldsmiths College, University of London, UK Visual Culture – Aesthetics – Art Theory – Continental Philosophy – Contemporary Art – Psycho/Schizo-analysis – The Production of Subjectivity Eric Palazzo, University of Poitiers, Centres d’études supérieures de civilisation médiévale, Institut universitaire de France (Paris), Poitiers, France Art History – Middle Ages – Images – Five Senses – Art, Liturgy and the Five Senses in the Medieval Period Davide Panagia, University of California Los Angeles, United States Political Theory/Cultural Studies/Aesthetics – Affect & Sensations – Visual – Aural – Gustatory – Hapticity – Ontology of Sensations – Spectatorship Studies – Photography, Film, Food Wendy Parkins, University Kent, Kent, UK Literature/Gender studies – Affects, Emotions & the Senses – Victorian Sensory & Material Culture – Embodiment & Gender – Pre-Raphaelitism & Aestheticism – Slow Food Joy Parr, University of Western Ontario, London, Ontario, Canada Sensory Geography – Environmental History – Health Geography – Science and Technology Studies – Landscape Change – Rehabituation after Trauma Bissera V.

His present research top­ic is “mnemon­ic sol­i­dar­i­ty in the glob­al mem­o­ry space.” His forth­com­ing book of transna­tion­al his­to­ry of vic­tim­hood nation­al­ism, cov­er­ing post-World War Uni­ver­si­ty, Wis­senschaft­skol­leg zu Berlin, and Biele­feld Uni­ver­si­ty. in the Cen­ter for Kore­an Stud­ies Con­fer­ence Room, 1881 East-West Road, on the Uni­ver­si­ty of Hawai‘i Mānoa cam­pus.

Cen­ter for Kore­an Stud­ies events are free and open to all.

Open your eyes to see the best arousing Mature Amateur Porn videos on the web!

An exam­i­na­tion of “vic­tim­hood nation­al­ism” kicks off the Cen­ter for Kore­an Stud­ies spring 2018 col­lo­qui­um series on Thurs­day, Jan­u­ary 11, 2018.

The Uni­ver­si­ty of Hawai‘i is an equal opportunity/affirmative action insti­tu­tion.

This Directory is a compendium of the names of scholars who are actively engaged in social scientific or humanities-based research on the senses and perception.

Hearing, Proprioception, or The Five Senses, etc) — Cultural Geography — Multi-sensory apprehension of space, place and landscape — Sensation and light and dark — Senses and mobility — Habit, rhythm and sensation — Tourism and sensation — Ruins and sensation Nina Sun Eidsheim, University of California Los Angeles, Los Angeles, California, USA Musicology – Voice – Music since 1950 – Cross-sensory Perception – Materiality – Transduction – Race – Ethics of Music Nicholas Evans, Australian National University, Canberra, Australia Linguistics – All Senses – Metaphorical/Cognitive Projections of the Senses – Linguistic Typology – Language Culture Nexus Georgia Frank, Colgate University, Hamilton, New York, USA Religious Studies Sight -Touch – Inner/Spiritual Senses – Ancient Christian literature – Byzantine liturgy – emotions – pilgrimage – asceticism – song Directory/georgia-frank Johannes Frasnelli, Université de Montréal, Montréal, Québec, Canada Neuroscience – Smell – taste – trigeminal system – crossmodal integration – crossmodal plasticity – neuropsychology – clinical Emmanuelle Friant, Université de Montréal, Montréal, Canada Early Modern History – The Five Senses – Material Culture of Catholicism – Devotional Objects – Corporeality and Affects – Self and Identity – Confessionalization Michael Gallagher, University of Glasgow Geography/Sociology/Music – Sound and Hearing – Sonic Research Methods – Acoustic Ecology ­– Field Recording – Environmental Noise – Audio Media – Minimal and Repetitive Music Garrington, Durham University, Durham, UK Modernist Literature/Culture – Touch – The Haptic – Hands – Prosthetics – Affect – Epistolary Practice Charlie Gere, Lancaster Institute for Contemporary Arts, Lancaster University, United Kingdom Media Theory and History – Touch – The Digital – Technics and Community – Non-Community – Art – Technics – Deconstruction S.

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