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Jahier, Fatally Yours’ Horror Reviews“It is a genuinely scary and affecting piece of work, and applying rational thought to the ghost makes it more terrifying, not less.
Secondly, you will notice that the story of intrigue builds upon itself and never leaves a dull moment.Like the majority of those films, Blood and Roses cloaks what is fundamentally a psychological thriller in a skin of supernatural horror, and circumvents the target audience’s natural antipathy for “rational” explanations by making the validity of the supernatural manifestations the story’s central mystery.Obviously, that demands from Vadim and his collaborators a much more acute understanding of people’s mental and emotional processes than was typically displayed by horror filmmakers in this era, together with a far greater investment in character development.Containing almost no dialogue, KITCHEN SINK presented the story as a dreamlike succession of events.Cleverly structured, the film returned again and again to a few motifs – hair, water, eye and razor – reminiscent of early surrealist films such as Un Chien Andalou.At a time when most fright films were simplistic stories of good vs.
evil, Blood and Roses presents a startlingly mature examination of sexual neurosis and the dark side of exactly the sort of romanticism in which escapist cinema normally trades.” – Scott Ashlin, 1000 Misspent Hours“Pieced together in a disjointed, nonlinear fashion, Ganja & Hess is a strange, heady blend of grindhouse horror and avant-garde experimentation.The 1,000 Greatest Horror Films: Introduction | #1-#100 | #101-#200 | #201-#300 | #301-#400 | #401-#500 | #501-#600 | #601-#700 | #701-#800 | #801-#900 | #901-#1000 | Full List | Sources | The 21st Century’s Most Acclaimed Horror Films | Top 50 Directors This is an extra little feature to highlight some of the lesser seen films that have been nominated.I’ve excluded films with more than 1000 IMDb votes.Pavoni, in turn, fills these rooms with shadows and occasional flashes of red or blue light which adds to the chilling atmosphere.Underlying this is Innocenzi’s score which uses its central motif to build tension, and piercing high pitched arrangements to punctuate terror, as Hans begins to unravel the mystery of the Mill through a series of spectral visions.We are led into a world fully contained within a decaying mansion, but we aren’t met with a parade of bloody horrors and gleefully violent imagery; instead, we are witness to a coy, clever game of cat and mouse, where no action or emotion is ever true.